Film animasi Spies in Disguise terinspirasi oleh film pendek animasi Pigeon: Impossible karya Lucas Martell, yang rilis pada 2009 silam. ( link download Film Spies in Disguise ada di halaman berikutnya ). The story of a tourist family in Thailand caught in the destruction and chaotic aftermath of the 2004 Indian Ocean tsunami. (114 mins.)Full Download at: http. Inspired by the animated short film Pigeon: Impossible, by Lucas Martell, Spies in Disguise is about super-suave spy Lance Sterling , who has to team up with almost the opposite of him, super-unsmooth scientist Walter Beckett (Tom Holland), who creates the gadgets Lance uses on his missions.When events take an unexpected turn and Lance becomes a pigeon, the spy must trust and team up with. Just these two names are enough to draw all attention to Spies in Disguise full movie download link when it’s leaked out. This animated version of Will Smith is even cooler than the real one! Spies in Disguise was directed by Troy Quane and Nick Bruno, written by Cindy Davis basing on the 2009 animated film Pigeon: Impossible by Lucas Martell.

Pigeon Impossible, the silent animated film by Lucas Martell released on 9 November that took 4 years to make, passed the 1 million views mark on YouTube after less than 2 weeks online. The film is set in the neighborhood of the International Spy Museum in Washington, D.C., where two of my nieces and I spent an enjoyable afternoon in October. I grew up in Cold War D.C. – I hope other teachers haven’t had exactly the same idea yet: Here’s my contribution of a lesson plan to the upcoming EFL blog carnival.

Target group: Adult education, Business English(group and one-to-one)

Level: multilevel, ca. B2

Language goals: 1. Speaking 2. report writing 3. spy/ thriller vocabulary (a one-to-one student is reading Le Carré) 4. predictions; 5. could/ coudn’t/ was able to (describing general ability vs. single achievements)

Material/ preparation: Go online to www.pigeonimpossible.com. Watch film online. If not possible, download video “Pigeon: Impossible” (use www.savevid.com). Download Press Kit pdf to show film stills on screen. No handouts. Save those trees!

Procedure:

Pre 1: Present title of video “Pigeon: Impossible.” Predict genre. Revisit Mission: Impossible series 1966-1973; 1988-1990; film series with Tom Cruise. Use soundtrack or poster if necessary to help recall.

Pre 2: Hypothesize content of film. Brainstorm spy and Cold War vocabulary (e.g. for reference: to gather intelligence, secret agent, espionage, operation, operative, screen someone, be in disguise, conceal your identity, code/decode, crack codes, cypher/decypher, wiretap, detect surveillance, brief/debrief; Cold War, Berlin Wall, Iron Curtain, Star Wars, rocket, target, cruise missile, explosives)

During: Watch film, and stop at likely places to ask “What will happen next?”

Watch film to about 1:50. Look at still of pigeon inside the briefcase. Collect and write up predictions (note grammar: I think, will probably, is likely to). (If teaching a group, let separate groups develop and present their scenarios.)

Pigeon Impossible Short

Watch to about 2:32 (pigeon has discovered that the suitcase can fly and is armed; man finds bagel again). Again, predict.

Watch to 4:04 (bagel has hit red button, Washington Monument turns into launching pad, rocket is underway to Russia). Again, predict.

Post 1: Reconstruct and summarize what happened: Contrast outcomes with predictions “I/we thought he would… and/but he…”

Post 2: Write “Incident on F Street” on the board. Make three columns. Headers: pigeon could, man couldn’t, man was able to

Tell students they are the man and will have to write a report to their line manager about the unforseen incident with the pigeon. (If you’re teaching a group, do this in pairs.) Tell them to concentrate on describing what the pigeon

• could do with the additional powers at its disposal,
• what they (as the man) couldn’t do to interfere and
• what they (as the man) were ultimately able to do to stop pigeon and end the incident

Pigeon Impossible Youtube

Note grammar: contrast “could” for general ability with “was able to” for ability in a specific situation; couldn’t is more natural for negatives.

Have them use the film stills as guides. If they ask for it, watch the whole film again as they finalize their notes. Then they write reports. They pair up with another group to read each other their reports.

At least that’s what I’m planning to do. This is an action enquiry. I’ll let you know how it went later on this week in the comments. If you’re using this film in a different way, or have other ideas about how you would, I’d be delighted to read about it.

'UNCOMFORTABLE TRUTHS MAKE FOR BRILLIANT CRINGE COMEDY IN THE GORGEOUS, SHARPLY WRITTEN FORCE MAJEURE'

'THE ABSOLUTE BEST OF CONTEMPORARY CINEMA.'

'THE MOST ACUTELY OBSERVED COMEDY OF THE YEAR, IF NOT IN SEVERAL YEARS. A breathless black diamond course of social stress and embarrassment.'

'A JOLT. YOU WON’T KNOW WHAT HIT YOU.'

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'BRILLIANT.'

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'AN ICE-COLD KNOCKOUT. BRILLIANTLY PERCEPTIVE AND FROSTILY FUNNY.'

'FORCE MAJEURE IS A JOLT. YOU WON’T KNOW WHAT HIT YOU. Director Ostlund shifts gears from humor to psychological thriller with cunning skill.'

'A BRILLIANT, VICIOUSLY AMUSING TAKEDOWN OF BOURGEOIS COMPLACENCY.'

'A sharply funny satire about the distance between what men project and what they really are.'

'A MOVIE THAT WILL CHANGE HOW YOU THINK ABOUT MANHOOD.'

'A hilarious takedown of masculinity.'

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'Östlund masterfully manages the marital tensions that drive the film's plot forward while imbuing the scenario with these carefully layered philosophical reflections.'

'Must-see'

'Ed Harris and Michael Peña shine.'

'Screamingly funny.'

'Grade A'

'Damning, frequently hilarious study of imploding male ego.'

'Uproariously funny.'

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'It's awkward, it's biting, it's uncomfortable, and Force Majeure is undoubtedly one of the most enjoyable films of the year.'

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'Force Majeure represents what is perhaps Östlund's most sophisticated thought experiment yet, at once provocative and wise. It is a penetrating study of that most ludicrous of social pretenses — masculinity, toxic and ubiquitous.'

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'Wickedly entertaining.'

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'The cinematography is thrilling, the actors are marvelous and director Mr. Östlund shifts masterfully between violent confrontational outbursts of anger and moments of quiet, introspective feelings without words.'

'This brilliant, viciously amusing takedown of bourgeois complacency, gender stereotypes and assumptions and the illusion of security rubs your face in human frailty as relentlessly as any Michael Haneke movie.'

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'Brilliant.'

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'Like an episode of “Curb Your Enthusiasm” shot through with Scandinavian austerity — or “Scenes From a Marriage” on skis — this witty, thoughtful, spectacularly conceived movie delivers on the promises made by the far more glib and superficial ‘Gone Girl.’'

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'

'Critics’ Pick'

'The movie to see and talk about if you want to experience the absolute best of contemporary cinema.'

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'POTENT. UNLIKE ANY FILM I’VE SEEN. A film that makes your murmur in amazement as you watch.'

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'WICKEDLY FUNNY. A FORCE TO BE RECKONED WITH.'

'A PERFECTLY CALIBRATED, ICY-DRY COMEDY. Grade A-.'

'A BEAUTIFULLY MADE, BRILLIANTLY DARK COMEDY.'

'ONE OF THE CINEMA'S MORE REVEALING PORTRAITS OF MANHOOD AND MARRIAGE.'

'It stands to complicate many a romantic arthouse date'